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Babydoll is the protagonist of .

The police arrive, and Archie is arrested when Vacarro presents them with the affidavit. Ecstatic at his victory, Vacarro leaves the farm, abandoning Baby Doll but saying he will be back the following day with more cotton. As Archie is taken away by the police, Baby Doll and her Aunt Rose return inside the house, awaiting Vacarro's return.

Archie, drunk and jealous of Baby Doll's romantic interest in Vacarro, is short-tempered at dinner, and tells Aunt Rose she needs to move out of the house; Vacarro immediately offers to let her live with him as his cook, and he and Baby Doll flirt with one another and taunt Archie. After Vacarro confronts Archie with the affidavit, Archie retrieves his shotgun and chases Vacarro outside while Baby Doll calls the police.

Babydoll and her sister in the wake of their mother's death

The lobotomized version of Babydoll.

Although the film's title card says "Tennessee Williams' Baby Doll", and the film is based on Williams' one-act play , in his autobiography director Elia Kazan claimed that Williams was only "half-heartedly" involved in writing the screenplay, of which Kazan himself actually wrote the majority. The film was shot in in the , built in 1848, the only antebellum house in . Other locations were and . According to Kazan, Williams did not stay long while the film was shooting in Benoit, because of the way people looked at him. Some locals were used for minor roles, and one, "Boll Weevil" not only acted but was the production unit's utility man as well.

Vacarro comforts Baby Doll, and after becoming friendly and chasing each other throughout the house, Vacarro forces her to sign an affidavit admitting to Archie's guilt. He then takes a nap in Baby Doll's crib, and is invited for supper at Baby Doll's request as a storm approaches.